It was more tense in real life because I had to run down two flights of steps. ĮO: And here, I'm just running back to my office. PT: But, one key difference here is, you had a long way to go right? You're running back to your office here. Now of course, I got the page that said he's out of pocket which just incredibly increased my anxiety because I needed to get that thing back in the bag before he got there, so I had to beat him back into the office. Go get the palm pilot, take it, and get it copied. PT: Now, is it specific, did they send you a page saying. So, here, there are a couple of elements in the chain of keeping him away from that office. I just happened to be the guy in the room with him. There were a lot of other people working on it. And, the idea was, Billy was trying to show, was trying to heighten the fact that it wasn't just me in this investigation. Here, they use the 25-year photo as part of it. Now, in real life, he was down in the firing range and someone pages me. PT: At some point, you get the signal, he's gone, he's in place, go to work.ĮO: Right. And, I mean, it was just the way he looked at you sometimes, too, it was like he was peeling away everything you were trying to put up to hide who you were from him. PT: And when he said, "don't you knock?" did he have that sort of superior attitude?ĮO: He had a very abrupt, right, it could be very terse in the way he spoke to you. We needed this guy to leave the office without his palm pilot and whatever we could do to do it, because we needed to take that palm pilot and copy the thing and get it back before he came back. Certainly, I mean the tension is exactly the same. PT: Now, again, it's dramatic here, but it's just as tense, right?ĮO: Yes. Now, here of course, Ryan's being very clever and I dump water in order to get him to just go and hurry and get him frazzled so he doesn't take the palm pilot with him. His superiors came in and said, "you're gonna go shooting with us," and didn't give him a chance and he went after them very disgruntled. PT: Now, they took a little bit of dramatic license here, right? Because how'd you get him out in real life?ĮO: Certainly, in real life, we didn't do the, the picture wasn't part of it. Taking this guy's palm pilot was really what led us to know this was the spy and to know where we had to be ahead of him and catch him. Now, Hollywood has taken it's turn dramatizing the story in Universal Pictures' new film "Breach."ĮO: In the case, this was what broke the case. "The kind of things where I wasn't seen and if I was, I was probably wearing a disguise." "I was used to following targets, ghosting them with cameras, telephoto lens, you know, back in traffic," O'Neill said. His supervisor called him at home, waited for him in a car outside, and asked him to step outside his comfort zone as a surveillance expert and get up close and personal with Hanssen. The bureau asked Eric O'Neill to perform this huge job in true undercover fashion. The FBI sent a rookie, a 27-year-old who wasn't even a full agent, to get inside Hanssen's head. The barter made Hanssen rich a man, it also sent American spies working in Russia to labor camps or early deaths. strategies for nuclear war and the identities of American spies in Russia became commodities for Hanssen - ones he exchanged with the Russians for diamonds and cash worth more than $600,000. Over three decades, Robert Hanssen sold some of the nation's most sensitive secrets, first to the Soviets, then to the Russians.Ĭritical details about U.S. 20, 2007 — - He's known as the most damaging spy in U.S.
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